Technique 01
Museum dusting
Low-suction vacuuming through a silk screen, front and back. Lifts a century of particles without mechanical stress. Always the first step.
Antique tapestry cleaning should be done entirely by hand: museum dusting through a silk screen, dye-fastness testing, a gentle flat wash in demineralised water, then controlled flat drying — never a machine. At the Tapis Boeuf family atelier, founded in 1950, these gestures span four generations.
Washing
By hand · demineralised water
Products
Natural · neutral pH
Accreditation
National museums
Transport
Specialised fine-art carrier
— The dust of centuries
An antique tapestry breathes. Year after year it absorbs fireplace smoke, the pollen of passing seasons, the light of every room it has hung in.
Cleaning a tapestry is not washing it. It is releasing the piece — carefully, patiently — from everything time has left behind, without touching what gives it value: the patina, the hand of the weave, the grain of age.
Our gestures, passed from bench to bench in a family atelier founded in 1950, are designed to respect that fragile line between care and erasure.
— Why it is different
A woven wall hanging is built on a warp (the vertical foundation threads) crossed by a weft (the horizontal threads that carry the design). Both are often more than a century old — and they tolerate neither machines, nor household detergents, nor a conventional wash.
Every gesture of our tapestry cleaning protocol is designed to preserve the weave, the colours and the structure of the work.
Point 01
Wool, silk and linen, often centuries old — any mechanical stress is ruled out from the start.
Point 02
Madder, indigo, cochineal — magnificent, and sensitive to detergents, heat and friction.
Point 03
A protective lining (the fabric panel sewn across the back) must be unpicked by hand, then re-stitched after cleaning.
Point 04
Pieces of 2 to 30 m² that demand a large flat treatment surface — never folded, never hung wet.
— The essential gesture
Before cleaning · 0 %
Flemish verdure · wool & silk · ca. 1705
— Our cleaning techniques
Every tapestry receives the technique that suits it, after diagnosis and dye-fastness testing. Nothing touches the piece until it has been proven safe.
Technique 01
Low-suction vacuuming through a silk screen, front and back. Lifts a century of particles without mechanical stress. Always the first step.
Technique 02
A bath of tepid demineralised water and neutral plant-based soaps. The piece lies fully supported, selvedge to selvedge (the woven side edges that seal the weave) — never wrung, never machine-washed.
Technique 03
For pieces whose dyes will not tolerate water: dry sponges, museum-approved solvents, mineral absorbents. Worked under magnification, zone by zone.
Technique 04
Flat, in a climate-controlled workshop, on ventilated racks. Never hung, never in sunlight. From 48 hours to 10 days, depending on the density of the weave.
Always beforehand
Dye-fastness tests on a hidden corner, before any contact with water.
We never wash a tapestry without first testing how its colorants react on an invisible fragment. If a dye migrates, we switch to dry cleaning. The safety of the work always comes before speed.
— Our process
From the first photographs to final delivery — a process built on over 75 years of expertise, and on the time your tapestry deserves.
Step I
Send high-resolution photos — full view, worn areas, the back. A first assessment and a free quote within 48 hours.
Step II
A fine-art carrier rolls the piece onto a rigid tube, under climate protection. Free pickup and delivery throughout France.
Step III
The tapestry is unrolled in the workshop: soiling mapped, fibres and dyes identified, a full photographic file opened.
Step IV
Each colour is tested on a hidden zone. The result decides the method — water or dry — before anything else happens.
Step V
Museum dusting, then flat washing or dry cleaning as the diagnosis dictates. Slow, deliberate handwork under constant control.
Step VI
In a climatised atelier, on ventilated racks, for as long as the weave requires. No hot air, no direct sun.
Step VII
Return by specialised carrier, with a before-and-after photographic report and a heritage cleaning certificate.
— Traditions in our care
From French manufactories to nomadic flat-weaves, our gestures adapt to each tradition — because antique tapestry cleaning is never one-size-fits-all.
France · 17th — 19th c.
Low-warp verdures and pastoral scenes. Wool, sometimes highlighted with silk.
Flanders · 15th — 17th c.
Mille-fleurs and mythological scenes. Fragile fibres, early dyes that demand caution.
Paris · 17th — 19th c.
High-warp weaving, silk & gilt thread. Exacting museum-grade care, systematic testing.
Orient · 19th — 20th c.
Nomadic flat-weaves from Anatolia and the Caucasus, with strong vegetable dyes.
Also in our care: Beauvais · Brussels · Tournai · religious hangings · contemporary tapestries.
— They entrusted us with their tapestries
Reviews translated from French.
★★★★★ 4.9 / 5 · 148 Google reviews
A family Aubusson yellowed by 80 years of dust. They cleaned it without losing a single tone. Work of remarkable patience.
A Flemish hanging two other workshops had refused as too fragile to wash. Tapis Boeuf chose a dry clean — the result is impeccable.
A wall-hung Caucasian kilim in a sorry state. After cleaning, the original reds came back. It is another object entirely.
— Workshop philosophy
— Going further
Some pieces need more than a careful wash. When the foundation (the underlying grid of warp and weft that holds the whole weave) is torn or worn through, cleaning alone cannot save it.
Consolidation of weakened areas, reweaving (rebuilding lost warp and weft thread by thread), new protective linings, missing zones reconstructed — when cleaning is no longer enough.
Discover tapestry restoration →A family atelier in Sartrouville, 20 minutes from central Paris — cleaning, restoration and lifelong care for woven works of art, handed down across four generations.
Explore the full atelier →— Frequently asked questions
Another question? Call us:
— Where we operate
Pickup & delivery
From our workshop in Sartrouville, 20 minutes from central Paris, we serve all of France (Paris, Lyon, Marseille, Strasbourg, Bordeaux, Lille, Nice…) as well as Monaco, Switzerland, Belgium and Luxembourg.
For fragile hangings, a specialised fine-art carrier handles the journey: rigid tube, climate protection, dedicated insurance.
Pickup and delivery
free throughout France.
Specialised carrier · fully insured
France
Workshop · Sartrouville
Belgium
Luxembourg
Germany
Switzerland
Italy
Monaco
Spain
Saint-Malo
Strasbourg
Lyon
Marseille
Bordeaux
Lille
Dunkirk
Tours
— Entrust us with your tapestry
From a single photograph to museum-grade tapestry cleaning — reply within 48 hours · free pickup and delivery · heritage certificate.
Get in touch
Mobile
+33 (0)6 17 59 32 54Workshop
+33 (0)9 50 91 88 85Address
38 rue de l'Îlot
78500 Sartrouville, France
Hours
Specialised fine-art transport,
free throughout France.